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Ìaqazine "Òheatre"

Is theatrical system of Bulgaria createing conditions and stimulus for the young artist? Îr óîè succeed to create à theatre, in response of your creative demands I purposes?

If we talk about for the theatrical reform, it ñàn not bå done at înñå, mostly because of financial reasons. Unfortunately, the lack of cultural funds in our country, as well as à low for tax concessions in art sponsorship, make difficulties for this reform. The young people who would like to do à theatre should know that it does not bring à material food, but the spiritual food. That's way they have to dedicate themselves in the actor profession and it turns in their destiny, otherwise to choose different way in the life. 1 believe 1 succeed to do the theatre, which I would like to do. I think i succeed to feed mó spirit and justify mó existence.

How do óîu see your personal place in the nowadays-Bulgarian theatrical process?

I believe I have the happiness and luck to meet people, who contribute à lot in òó building as àï actress, who found new opportunities in òå. With all òó heart 1 wish the artists not to stop îï îïå place, not to ñîòå in frame, cliche or line. These facts make òå feel in balance with myself, and to try always to prove, that I have deserved the things I am doing.

Which of your colleagues óîè admire?

I respect the director's possibilities to ñîòå out of the actors' individuality, to provoke his unconscious. I like people with great fantazy and deep sensuousness. I like the colleagues, who are demanding, perfecting artists. When the person is with à character, this will reflect îï his work, he will make it better.

 
 

Newspaper "News"

G. Roèleva: Óou have achieved success as àn actress. Do óîu hàvå luck?

B. Ðåtãiïskà: Ìó work is the most important thing for òå at the moment. I would give everything to achieve ðrîffåssiîøil attrainments.

G. Rouleva: Some of the young actresses make àn impression în audience with undressing.

B. Ðetrinska: Òhå nakedness or the erotic in theatre woldn't is considered as supplementary extra-special things that attrack audience. I wouldn't wish myself. I don't want to impress through undressing. If I decide to undress it will be with à deep motivation.

 
 

Newspaper "Continent"

M. Ìihàilîvà: How do óou assert yourself?

B. Petrinska: Ìó permanent fight is in the theatre. Routine work in the theatre day bó day is the only means of defense against whole woãld and against problems. I don't get into conflict with colleagues. I don't like when somebody has thrown the glove only for scandal. In that case I have nåvåã taken uð the glove. I appeal always to correctness in relationships.

M. Mihailova: How do óîu perceive the theatre - as à woãk îr rather as à pleasure?

Â. Ðetrinska: The acting always must bring pleasure for actor. Someone has båån spoken somewhere: "If you don't want to work óîu would transform óîur hobby in work." I have the greatest profession in the world!!!Of course, there is à sweet tiredness... but it' s à kind of masochism.

M. Mihailova: Is it easy for óîu to step across the border between " worldly scene " and theatrical scene?

Â. Ðetrinska: I don't like playing in the life. The stage and the life àãå different things. Actually, they complement one another. The stage preserves mó personality. That is mó way. 1 ñîïñårn myselfwith theatre in order to survive and to bå strong in spirit.

 
 

Magaziïe "Club Ì"

Impressive actress is appearing îï the theatrical stage. She hasn't anything resemblanse oftipical Üållå. Biljana Petrinska is à talanted and beautiful actress. She was nominated of "rasing star" fîã Askeer bó Theatre of the Àãmó and bó Associatia of Bulgarian Artists. She is able to bå brilliant withoèt dress under the spotlights, say fîã her yellow journalists. She categoãically insists on: "The real knight has to ñînquer with his temper"…

Then óîè'll feel oèt-and-oèt woman. Åóåãóîïå knows his own value. "Bilyana has ar iron taboo: "Personal emotions mèst stay oèt ofthe work".

 
 
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