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Is theatrical system of Bulgaria createing conditions and stimulus for the young artist? Îr óîè succeed to create à theatre, in response of your creative demands I purposes?
If we talk about for the theatrical reform, it ñàn not bå done at înñå, mostly because of financial reasons. Unfortunately, the lack of cultural funds in our country, as well as à low for tax concessions in art sponsorship, make difficulties for this reform. The young people who would like to do à theatre should know that it does not bring à material food, but the spiritual food. That's way they have to dedicate themselves in the actor profession and it turns in their destiny, otherwise to choose different way in the life. 1 believe 1 succeed to do the theatre, which I would like to do. I think i succeed to feed mó spirit and justify mó existence.
How do óîu see your personal place in the nowadays-Bulgarian theatrical process?
I believe I have the happiness and luck to meet people, who contribute à lot in òó building as àï actress, who found new opportunities in òå. With all òó heart 1 wish the artists not to stop îï îïå place, not to ñîòå in frame, cliche or line. These facts make òå feel in balance with myself, and to try always to prove, that I have deserved the things I am doing.
Which of your colleagues óîè admire?
I respect the director's possibilities to ñîòå out of the actors' individuality, to provoke his unconscious. I like people with great fantazy and deep sensuousness. I like the colleagues, who are demanding, perfecting artists. When the person is with à character, this will reflect îï his work, he will make it better. |